Unsimulated sex scenes would play a prominent role in many (but not all) of LaBruce’s future films. Image Credit: Screenshot: Bruce LaBruce on YouTube But ultimately, it’s also a story about redemption, because the sister of the skinhead joins forces with the hairdresser to reform the misguided skinhead and make him into a loving human being. “It’s about a hairdresser who falls in love with a neo-Nazi skinhead and thereby loses his interest in hair! It’s that kind of irony that runs through all my work. “My film is a kind of underground punk remake of Robert Altman’s film ‘That Cold Day in the Park,'” LaBruce wrote. LaBruce’s feature debut “No Skin Off My Ass,” which he also stars in, includes pornographic scenes and is considered a pioneering piece of New Queer Cinema. “But I’ve always tried to consider myself a filmmaker first, and to develop an aesthetic and personal style, which is probably why so may of my films, even though they have radically queer and/or pornographic content, have played so heavily on the international film circuit.” “I don’t mind being considered a queer filmmaker, or a pornographer, or a provocateur,” Bruce LaBruce wrote in 2015, ahead of a retrospective of his work at the MoMA. The unsuspecting party guests knew they were being filmed, but were not prepared for Brüno’s profoundly uncomfortable approach to foreplay. Director Larry Charles captured real footage - albeit censored footage - of various sex acts at a “swingers party” in an unscripted scene culminating in Brüno getting whipped by a dominatrix. Image Credit: ©Universal/Courtesy Everett CollectionĪfter the uproarious success of “Borat” in 2009, Sacha Baron Cohen returned to the big screen three years later with “Brüno”: a relentlessly cringey portrait of a disgraced Austrian fashionista trying to make it in Hollywood. Writer-directors Olivier Ducastel and Jacques Martineau begin their film with a nearly 20 minute sequence showing as many nude or semi-nude men engaging in anal and oral sex, before lead actors Geoffrey Couët and François Nambot begin their sweet two-hander in the city. Their love-at-first-sight encounter plays out in real-time over 93 minutes, and won the Audience Award at the Berlin Film Festival Teddy Awards. “ Paris 05:59: Théo & Hugo” (or, in French, “Théo et Hugo dans le même bateau”) is a gay erotic drama about two men meeting at an orgy and then connecting during a long walk in Paris. “They’ve given it up, because it’s too scary.”ĭirected by filmmakers from Lars von Trier to Vincent Gallo, William Friedkin to Abel Ferrera, and Larry Charles to Bruce LaBruce, here are 40 films that feature real sex scenes. “In terms of sex being presented on film, mainstream or even independent, film has foresworn it,” Mitchell summarized. Still, the taboo’s controversial nature remains at the forefront of mind for artists willing to admit their interest in and seriously consider the artistic merit of showing real sex. The depiction of unsimulated sex on screen has taken many forms across decades, continents, and political landscapes. I just went with what they wanted to do.” Sex is our music in ‘Shortbus.’ We really only did one sexual rehearsal. It uses sex as a medium, as a delivery system for ideas and characters and emotions, just like ‘Hedwig ’ uses music. Mitchell continued, “‘Shortbus’ isn’t about sex. And so I said, ‘I never want you to do anything you don’t want to do, but I do want you to challenge yourselves so we can challenge the audience.’” Mitchell told IndieWire about filming the cult classic, “Certainly, a lot of films had used sex, but they were pretty grim, and I wanted something more fun and funny, but still emotionally deep. John Cameron Mitchell set out to “honor” sex as a pastime for real people, much like art, music, or cuisine, in his second feature film, 2006’s “Shortbus.” “This prostitution is not profane it’s a sacred act that we give them.” “Actors are prostitutes because they’re asked to play other feelings,” Breillat told IndieWire. for more than two decades.) Breillat’s later work, 1999’s “Romance,” tells the story of a woman desperately seeking human connection and featured similar scenes, including sadomasochistic sex play. (The lead actress Charlotte Alexandra was 20 during production, and the film wasn’t released in theaters in the U.S. Sex on film is nothing new, and yet unsimulated intercourse in non-pornographic movies continues to raise eyebrows and draw eyeballs.įrom Vincent Gallo’s controversial directing for “Brown Bunny” to Robert Pattinson’s masturbatory method acting in”Little Ashes,” genuine intimate encounters captured on film - however staged they may be - can pull audiences into the bigger stories their writers and directors are trying to tell.Ĭatherine Breillat’s first film in 1976, “A Real Young Girl,” adapts her own controversial novel about a 14-year-old exploring her newfound sexuality.
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